身份權英文怎麼說

身份權 的英文翻譯

身份權 例句

1. Information access security is studied from several ways : information security storage, information access control, user identity authentication, cipher key management and log management etc. the main which information transmission studied is the selection and deployment of information encryption transmission plan
   其中平臺信息訪問涉及信息存儲方式、信息訪問 權 限控制、用戶 身 份 驗證、密碼和日誌管理等諸多問題；信息傳輸安全主要研究信息加密傳輸方案的選擇和實施。
2. Wang ja - de snow deconstructs the patriarchal binary thought, reveals the feminity, deviates phallocentric tradition, and interprets the marginalized, silenced and repressed feminity under the phallic symbolic order, wang ja - de snow utters the voice, strength and desires for chinese - american females and seeks back their identity buried in history and the power of struggle
   摘要黃玉雪第三人稱自傳小說《華女阿五》 ，以「陰性書寫」來解構父 權 二元對立思想，凸現女性氣質，偏離「菲勒斯中心論」 ，闡發陽性象徵秩序下被邊陲化、被緘默化和壓抑的女性特質，代表華裔女性發出長久被壓抑的聲音、力量以及各種慾望，尋回被埋沒于歷史中的 身 份 和抗爭的力量。
3. In this essay i argue that the writing of american jazz age novelist f. scott fitzgerald responds to the developing national culture of his time, here described as an evolving relation between the marginality of the region and the hegemony of the center. like many of the characters in his novels, fitzgerald ' s perceived liminality from nation and canon - his work did not achieve repute until after his death - produced, paradoxically, dependence on those values the writer felt most distant from. to a far greater extent than hemingway, fitzgerald fictionalized the commodity culture of the american center which he, in time, came to reject in favor of a moral posture. fitzgerald ' s migration from the perceived margins of american literary discourse to status as a posthumous, centered canonical figure has three specific dimensions - the geographical, the canonical, and the moral - all of which combine to produce a significant ambivalence, beyond " modernist " credentials, in his life and legacy
   本文認為，美國爵士時代的小說家菲茨傑拉德的作品對于作者所處時代和處于發展之中的民族文化（即區域邊緣與國家霸 權 之間的演進關系）作出了回應.正如其小說中的許多人物一樣，菲茨傑拉德從國家和典律中感知到閾限性（他自己的作品直到死後才獲得盛譽） ，這使得他依賴于自己認為是最為邊遠的價值觀念.與海明威相比較，菲茨傑拉德在更大程度上將位於美國中心的商品文化小說化，而最終他又出於道德考量將它予以拒絕.菲茨傑拉德從明顯的美國文學話語邊緣向去世之後被經典化的中心地位的漂移表現在地理、典律、道德三個方面.三者交織，使得學界關於他的紛爭超越了現代主義者 身 份 問題，在關於他的人生和文學遺產問題上也是褒貶不一，眾說紛紜
4. In my experience, moreover, sociocultural factors affect schooling in a variety of areas, including culture, gender identities, power roles, class markers and social markers
   以我的體會而言，社會與文化的因素推動著學校教育涉及了多個領域，朝著多元化發展；包括文明，性別 身 份 ， 權 力角色，班級標兵和社會標兵。
5. The author of this thesis tempt from the analysis of the concept of the portrait and the portraiture right and combine these with the general theories of the civil law and copyright law to set out a conclusion that the actor as one part of the public, what ever in life or in the works of film and tv possesses the portraiture right, and should get the same judicatory protection as other people. this thesis is divided into four parts totally. the first part, the concept of personality, personality right and the concept of portrait and portraiture right, the purpose and significance of the judicial protection on portraiture right
   為此，本文從影視表演藝術理論出發，論述了演員在影視作品中所處的不可替代的重要地位，並從演員在影視作品中的角色與自 身 、人格 權 與 身份權 的關系論述了演員角色不能覆蓋其自 身 ，演員在影視作品中雖然沒有 身份權 ，但仍享有人格 權 ，為此，只要演員在影視作品中是以本來面目面對觀眾，符合肖像的法律特徵，就享有肖像 權 。

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